Tijuana, Nada Mas

Jonathan (“Pollo”) and Enrique (“Gordo”) are 14-year old orphans making their own living on the streets of Tijuana, the busiest frontier city in the world.
Genre : Documentary
Tijuana, Nada Mas

Jonathan (“Pollo”) and Enrique (“Gordo”) are 14-year old orphans making their own living on the streets of Tijuana, the busiest frontier city in the world. Jonathan assists the “Coyotes” in smuggling people across the Mexico/U.S. border and Enrique blows fireballs for entertainment.

TIJUANA, NADA MAS is a heart-wrenching glimpse into the lives of two boys struggling to survive within the confines of geographical and cultural borders. Over a seven-month period, Jonathan abandons his life as a “Coyote” to try to live under the care of a foster mother and Enrique maintains, “Here is beautiful.” TIJUANA, NADA MAS examines the invisible and more immediate boundaries of these boys’ lives—discrimination, poverty, uncertainty—and asks: How can you cross a border that exists beneath the surface? Is there really an “other side”?

Directors : Yolanda Pividal
Markets : Documentary
Year Released : 2010
Running Time : 27
Country : US/Mexico
Original Language : Spanish

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Awards

Emerging Latino Filmmaker Award at the Independent Film Week, IFP/ Fledgling Fund
David L. Wolper Best Student Doc Award Nominee, International Documentary Association
Student Academy Awards Finalist
We Believe In You Award, Tides Fund/Chicken & Egg Pictures

Screenings

Los Angeles International Short Film Festival
Angelus International Film Festival
Cinema Cum Laude, Jacob Burns Film Center
Corto Circuito International Film Festival
Academy of Motion Pictures Theater, Lighthouse International
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Tijuana, Nada Mas

Tijuana, Nada Mas

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Jonathan (“Pollo”) and Enrique (“Gordo”) are 14-year old orphans making their own living on the streets of Tijuana, the busiest frontier city in the world. Jonathan assists the “Coyotes” in smuggling people across the Mexico/U.S. border and Enrique blows fireballs for entertainment.

TIJUANA, NADA MAS is a heart-wrenching glimpse into the lives of two boys struggling to survive within the confines of geographical and cultural borders. Over a seven-month period, Jonathan abandons his life as a “Coyote” to try to live under the care of a foster mother and Enrique maintains, “Here is beautiful.” TIJUANA, NADA MAS examines the invisible and more immediate boundaries of these boys’ lives—discrimination, poverty, uncertainty—and asks: How can you cross a border that exists beneath the surface? Is there really an “other side”?

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