Secondhand (Pepe)

Genre : Documentary
Secondhand (Pepe)

In this documentary about used clothing, the historical memoir of a Jewish immigrant rag picker intertwines with the present-day story of 'pepe' — secondhand clothing that flows from North America to Haiti. Secondhand (Pepe) animates the materiality of recycled clothes — their secret afterlives and the unspoken connections among people in an era of globalization.

In the early 1900s, immigrant Jews from Eastern Europe collected, sorted, and sold secondhand clothing. As the Jewish peddlers made their way through North American city streets, they called out 'Rags, Bones, Bottles!' Today, at the beginning of the 21st century, the used clothing industry has gone global. Billions of pounds go to developing nations each year. Used American clothes play an especially central role in Haiti where, as one peddler reveals, 'It's all pepe, all the time.'

Dreamlike visuals and ethereal sounds intermix the beats of Jewish klezmer and Haitian rara music. Luke Fischbeck (Lucky Dragons) has composed the soundtrack of the film with an artful and nuanced ear, emphasizing the ruptures and looped connections among diasporic cultures. Secondhand (Pepe)'s two stories converge as American castoffs travel from the Jewish memoir reader's rag factory to the Haitian shores. As pepe makes its way to Port-au-Prince, passing through an intricate network of peddlers, seamstresses and entrepreneurs, the past recycles into the present.

Directors : Hanna Rose Shell & Vanessa Bertozzi
Markets : Documentary
Year Released : 2007
Running Time : 24 minutes
Color : Color
Country : United States/Haiti/Canada
Original Language : Haitian Creole/English/French

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Awards

Best Documentary, Brooklyn Arts Council Film Festival, 2007
Best Musical Score, Rhode Island International Film Festival, 2007
Director’s Citation, Black Maria Film and Video Festival, 2008

Screenings

Slamdance Film Festival, UT, 2008
Society for Science & Literature Conference, 2007
Society for Cinema and Media Studies Conference, 2008
Harvard Film Archive, 2007
The Garment District, Cambridge, 2007
Elsewhere Museum and Galleries, Greensville, 2008
Wellesley College, Caribbean Studies Series, 2008
Laredo Experimental Art Festival, Laredo Texas, 2007
Nanjing Normal University, University Wide Screening, 2008
Bangkok Community Museum, 2008
Documentary Fortnight, Museum of Modern Art, 2009
Outstanding International Shorts, Museum of Modern Art, 2008
Ciné Institute, Jacmel Film Festival, Haiti, 2009
Caribbean Studies Colloquium, Smith College, 2009
FOKAL (Open Society), Port-au-Prince, 2009
Bibliothèque du Soleil-Haiti Soleil, Carrefour-Feuilles, Haiti, 2009
Society for the History of Technology Annual Meeting, Pittsburgh, 2009
Black International Film Festival, Montreal, 2010
Maryland Institute of Contemporary Art, Reverse Ark Exhibition, 2009
Cross-Cultural Cinema Series, Arlington Central Library, 2009
Rebuilders’ Source, South Bronx, 2009
Secondhand Culture Symposium, Bard Graduate Center, 2010
Kresge Theater, MIT, 2009
Fundraiser for Haitian Earthquake Recovery, Somerville Central Television, 2010
The Bluecoat, Liverpool, 2009
Ghetto Biennale, Port au Prince, 2009
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Secondhand (Pepe)

Secondhand (Pepe)

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In this documentary about used clothing, the historical memoir of a Jewish immigrant rag picker intertwines with the present-day story of 'pepe' — secondhand clothing that flows from North America to Haiti. Secondhand (Pepe) animates the materiality of recycled clothes — their secret afterlives and the unspoken connections among people in an era of globalization.

In the early 1900s, immigrant Jews from Eastern Europe collected, sorted, and sold secondhand clothing. As the Jewish peddlers made their way through North American city streets, they called out 'Rags, Bones, Bottles!' Today, at the beginning of the 21st century, the used clothing industry has gone global. Billions of pounds go to developing nations each year. Used American clothes play an especially central role in Haiti where, as one peddler reveals, 'It's all pepe, all the time.'

Dreamlike visuals and ethereal sounds intermix the beats of Jewish klezmer and Haitian rara music. Luke Fischbeck (Lucky Dragons) has composed the soundtrack of the film with an artful and nuanced ear, emphasizing the ruptures and looped connections among diasporic cultures. Secondhand (Pepe)'s two stories converge as American castoffs travel from the Jewish memoir reader's rag factory to the Haitian shores. As pepe makes its way to Port-au-Prince, passing through an intricate network of peddlers, seamstresses and entrepreneurs, the past recycles into the present.

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