Janie's Janie (Newsreel)

"First I was my father's Janie, then I was my Charlie's Janie, now I'm Janie's Janie." --Jane Giese
Genre : Documentary
Janie's Janie (Newsreel)

Produced by The Newsreel collective, JANIE'S JANIE is an extraordinary document of the early 1970's women's movement. In this personal documentary, Jane Giese, a working class woman in Newark, comes to realize that she has to take control of her own life after years of physical and mental abuse. As Janie says, "First I was my father's Janie, then I was my Charlie's Janie, now I'm Janie's Janie."

The "personal" aspect of the film was unusual for early Newsreel, and its very existence resulted from gender issue struggles within the collective itself. It is a document of a time and its issues, and of the efforts of feminists to give creative visual form to their concerns. Using both interviews and verité material, it is one of the more complex Newsreel films. Principal collaborators were: Geri Ashur, Peter Barton, Marilyn Mulford and Stephanie Palewski, with music by Bev Grant and Laura Liben.

Directors : Newsreel , Geri Ashur , Peter Barton , Marilyn Mulford , Stephanie Palewski
Markets : Documentary
Year Released : 1971
Running Time : 25 minutes
Country : US
Original Language : English
Streaming Partner : Alexander Street Press

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Janie's Janie (Newsreel)

Janie's Janie (Newsreel)

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Produced by The Newsreel collective, JANIE'S JANIE is an extraordinary document of the early 1970's women's movement. In this personal documentary, Jane Giese, a working class woman in Newark, comes to realize that she has to take control of her own life after years of physical and mental abuse. As Janie says, "First I was my father's Janie, then I was my Charlie's Janie, now I'm Janie's Janie."

The "personal" aspect of the film was unusual for early Newsreel, and its very existence resulted from gender issue struggles within the collective itself. It is a document of a time and its issues, and of the efforts of feminists to give creative visual form to their concerns. Using both interviews and verité material, it is one of the more complex Newsreel films. Principal collaborators were: Geri Ashur, Peter Barton, Marilyn Mulford and Stephanie Palewski, with music by Bev Grant and Laura Liben.

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