NEGRITA: Racially Black, Ethnically Latina

NEGRITA—a Spanish term meaning “little Black girl”—is a personal and probing documentary exploring how anti-Blackness in American and Latino cultures shapes the identities of Afro-Latina women.
Genre : Documentary
Contemporary Issues : Stereotypes & Bias , Decolonization , Diversity, Equity and Inclusion (DEI) , Anti-Black Racism
NEGRITA: Racially Black, Ethnically Latina

NEGRITA interrogates the cultural prejudice and presumptions surrounding the lives of Afro Latina women in America. In her first film, director Magdalena Albizu, a self-described negrita, explores an unconscious ideology of anti-Blackness in which both American and Latino cultures perpetuate a false narrative of Black as undesirable otherness. Through family pictures, childhood videos, and frank conversations, NEGRITA uses the director's own personal history to illuminate the larger tapestry of shared experiences throughout the Black and Latin communities. Albizu, and a group of women from the Dominican Republic, Puerto Rico, Honduras, and Panama, collectively confront their own Black identities, empowering themselves as Afro Latinas.

This documentary features interviews with Melba Malin Falú, Dr. Georgina Falú, Inez Guillen, Milteri Tucker, Johanna Felipe, Tamika Burgess, Odilia Rivera Santos, Abigail M. Horace, Vanessa K. Valdés, and Sarah Aponte. 

Directors : Magdalena Albizu
Producers Credits :
Ingrid Matias & Eddie Bailey
Available Format : Apple ProRes , DCP
Markets : Documentary
Year Released : 2023
Running Time : 50
Color : Color
Country : US
Original Language : English

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Voices of Impact: Our Community Speaks

“The documentary places anti-Black racism, colorism, texturism, and gender roles on display in hopes of sparking deeper conversations.”
Janel Martinez, Intervenxions, The Latinx Project
“I am so proud to see you do this film. I have a wife who is a NY Rican and has told me the same stories. Here in San Francisco we watch but itz not bad she says here. You have more unity in other areas of the country she stated.”
John McCartney West Coast Black TV Network
Finally someone will be telling our story... Thank you for letting the world know just how rich and beautiful Latinas of all shades are!
Doreen Leticia Munoz

Visual Journey: Scenes from NEGRITA: Racially Black, Ethnically Latina

Explore a gallery of images from "NEGRITA: Racially Black, Ethnically Latina," offering a visual feast that captures the essence of its story.

Awards

Best Cultural Heritage, Georgia Latino Film Festival, 2023
Best Doc Award, Reel Sisters, 2023

Screenings

BronzeLense, Atlanta, 2023
Pan African Film and Arts Festival, Los Angeles, 2024
Lincoln Center, New York, 2024
Philly Latino Film Festival, 2024
Harlem International Film Festival, 2024
African Diaspora International Film Festival, Chicago, 2024
Maysles Documentary Center, Harlem, 2024
Emmanuel Baptist Church, Brooklyn, NY, 2024
African Diaspora International Film Festival, DC, 2024
Urban Film Festival, Miami, 2024
Afro Latino Film Festival, Waterbury, 2025
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NEGRITA: Racially Black, Ethnically Latina

NEGRITA: Racially Black, Ethnically Latina

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NEGRITA interrogates the cultural prejudice and presumptions surrounding the lives of Afro Latina women in America. In her first film, director Magdalena Albizu, a self-described negrita, explores an unconscious ideology of anti-Blackness in which both American and Latino cultures perpetuate a false narrative of Black as undesirable otherness. Through family pictures, childhood videos, and frank conversations, NEGRITA uses the director's own personal history to illuminate the larger tapestry of shared experiences throughout the Black and Latin communities. Albizu, and a group of women from the Dominican Republic, Puerto Rico, Honduras, and Panama, collectively confront their own Black identities, empowering themselves as Afro Latinas.

This documentary features interviews with Melba Malin Falú, Dr. Georgina Falú, Inez Guillen, Milteri Tucker, Johanna Felipe, Tamika Burgess, Odilia Rivera Santos, Abigail M. Horace, Vanessa K. Valdés, and Sarah Aponte. 

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